
Automotive design wouldn’t be complete without mention of Marcello Gandini’s contribution. His vehicles did not just represent automobiles, they defined what automobiles were capable of. For decades he pushed boundaries of proportion, surface language and engineering ingenuity to leave a portfolio of designs that remain radical even by today’s standards.
The true power of Gandini is how the consistency of his approach remains relevant, whether the vehicle is an ultra-performance supercar or a humble family car; every project for him was an opportunity to reinvent form and emotion, and during his time at Bertone, it turned into a sort of experimentation chamber.
His influence is evident on the road today, designers are still looking at his razor sharp geometric forms, bold proportions and daring take on innovation as an inspiration for their creations. They serve as an inspiration that design is more than just the functional or beautiful as objects, but a piece of machinery that affects us profoundly as individuals.

1. Lamborghini Miura
When the Miura came out in the ‘60s it basically said, ‘This is what a supercar should look like.’ This Lamborghini pushed style as well as mid-engine cars that, back then, was an uncommon design element. The body itself felt as if it was on the move because of its low profile, width and the sensual curves.
Design Highlights of the Miura:
- Revolutionary mid-engine layout
- Smooth, flowing body design
- Low and wide performance stance
- Elegant yet aggressive styling
- Foundation of the modern supercar concept
While other performance cars made their mark with the use of sharp lines or details, the Miura presented an opposing, more organic feel. The shape blended beautifully, allowing the form to complement its mechanical function and result in something more akin to a dynamic artwork than an outright sporting vehicle, establishing new styling credentials for years to come.
It wasn’t just the look, however: the Miura helped define what a supercar even is. That there could be this level of performance with such artistic intention merged together was groundbreaking. This combination of speed, art, and desirability went on to shape almost every supercar that came after, and solidified the Miura’s place as arguably one of the most iconic car design pieces of all time.

2. Lamborghini Countach
With a dramatically sharp, angular aesthetic that broke away from the rounded bodies of preceding supercars, Lamborghini’s Countach was a brave new world in automobile design. Marcello Gandini’s radical, knife-edged wedge was a shape so radical it would, for decades, become one of the most unique and easily identifiable silhouettes of all time, as though the vehicle had teleported back from decades to come.
Defining Design Elements of the Countach:
- Sharp wedge-shaped body design
- Extreme geometric proportions
- Scissor-style doors
- Futuristic architectural styling
- Strong visual focus on speed and aggression
With the Countach came a new design language. A design that brought angular precision and visual tension to automotive, and which felt, in a way, almost like architecture that just happened to be built on wheels. It managed to be at once restrained and raucous, a masterpiece of design that managed to predict the future without betraying the present.
But in addition to its mechanical prowess, the Countach had an immense cultural impact. The outrageous scissor doors and an equally over-the-top stance, it was the bedroom poster car for a generation. Lamborghini Countach; to car fanatics, it’s the design embodiment of 1980s excess.

3. Lancia Stratos
Originally a radical Bertone-designed concept car with a decidedly retro-futuristic aesthetic (more future than now!), it’s almost a proof of concept that looks a million miles away from being a road-going car, even if that was ultimately the goal. The combination of its dramatically low height, acute angles and squat stance made it distinctive among even the sportiest cars on the road at the time and it was intended to be used on the track from the start, not the road.
Core Design Features of the Stratos:
- Ultra-compact wedge-shaped body
- Extremely low aerodynamic profile
- Purpose-built rally engineering
- Mid-engine performance layout
- Lightweight, agility-focused structure
Once turned into an actual full rally car, Stratos kept its compact look but was modified for ultimate performance in rugged conditions. Every aspect of its frame has been built for speed, control and quick maneuvering over all surfaces. While the Stratos has been far from luxurious and built more for functionality, the design was perfectly suited for rallying.
So the Stratos eventually demonstrated that daring design could be combined with genuine competitive success and its winning ways in the championship rallies showed that flair in automotive design did not just end on the stylist’s pad but that such innovation could contribute significantly to the design’s functionality. By cleverly balancing dramatic styling with an engineering prowess it became a great rally success.

4. Lamborghini Espada
The Lamborghini Espada demonstrated Marcello Gandini’s capability to step outside pure supercars and consider grand tourers. This four-seat GT differed from Lamborghini’s previous two-seaters in the way that it took into consideration the notion of an “everyday” Lambo without forsaking its striking design.
Key Design Characteristics of the Espada:
- True four-seat grand touring layout
- Long, low, and elegant proportions
- Distinctive wedge-inspired styling
- Balanced mix of comfort and performance
- Strong road presence with practical usability
Even though the car was of substantial size, the overall look of the Espada wasn’t imposing due to its slender, athletic profile. The elongated profile of the Espada on the low-slung foundation gave the model an iconic style, mixing the luxury features with performance orientation in an innovative yet balanced way.
Ultimately, the Espada confirmed that the Lamborghini design philosophy was adaptable to sectors outside of the ultra sports car. It still captured the drama and emotion Lamborghini represented, but with the practicality to take four people on the road.

5. Alfa Romeo Montreal
The Alfa Romeo Montreal signaled a move toward a more technical and organised design philosophy from Marcello Gandini. Replacing previous, softer sports cars, it embodied a design of cleaner lines, unique detailing, and an imposing visual character that enabled it to thrive in a hyper-competitive market of high-performance machinery. It epitomised a more ambitious, modern, and futuristic design style popular in the 1970s.
Key Design Elements of the Montreal:
- Sharp and structured body design
- Distinctive hidden headlamp louvers
- Aggressive yet elegant proportions
- Strong visual identity cues
- Futuristic 1970s styling influence
Some of the signature styling cues of the Montreal were the ribbed headlamp covers and the exquisitely shaped panels of its body. But they were more than just styling accents; they served the purpose of building a design vocabulary to reinforce innovation and the brand image. Montreal’s exterior thus looked modern and contemporary from all viewing angles.
Montreal still remains a great reminder of Gandini’s flair to mesh beauty and brutality into a classic sportscar package. It took Alfa Romeo’s heritage and combined with modern thinking, creating a car which was as luxurious as it was sporty, in other words aggressive.

6. Ferrari Dino 308 GT4
The Ferrari Dino 308 GT4 represented an evolutionary leap forward for Ferrari’s design language, ushering in a radical new angular direction that defied the brand’s more voluptuous sporty designs that had come to be the norm. Gandini of Bertone fame was responsible for styling this unique and structural Ferrari.
Key Design Features of the GT4:
- Angular wedge-inspired body design
- 2+2 seating configuration
- Geometric, structured surface language
- Mid-engine performance layout
- Shift from soft curves to sharp lines
Compared with its more rounded predecessor the GT4 focused more on geometric purity than curvy sophistication. Clean lines and sharp, planar surfacing gave it an appearance that looked more technical and functional. At the time it represented a move towards harder edges in automotive styling as opposed to the more rounded form of the late 60s and 70s.
However, it was the Ferrari Dino 308 GT4 that really proved Gandini’s range as a stylist, he was able to incorporate this new stylistic direction without sacrificing Ferrari’s sporty image. He expanded the brand’s vocabulary and showed that Ferrari could succeed with something more rectilinear and practical but no less exciting.

7. Lamborghini Diablo (Initial Vision)
In essence, Lamborghini’s Diablo design stemmed from an evolution of Marcello Gandini’s dramatic vision previously realised by the Countach. Gandini was the designer of an aggressive wedge design language which amplified proportions and aggressive detailing and was intended to inject Lamborghini into a future which it dominated stylistically. This wasn’t a design set by the parameters of mass-production reality.
Key Elements of the Original Diablo Concept:
- Extreme wedge-shaped proportions
- Highly aggressive aerodynamic stance
- Sharper and more angular detailing
- Futuristic, concept-like surface design
- Continuation of Countach-inspired philosophy
Throughout the development phase the company’s plans and production needs prompted substantial changes to Gandini’s design, and much of what emerged in production has been softened, although many proportions and stances are recognizably still of a Gandini design.
Even after these tweaks, the Diablo still serves as one of the best examples of Gandini’s design approach, demonstrating the clash between artistic expression and production reality within the automotive sphere. Ultimately, though, it also serves as proof of just how quickly a radical design can be diluted during the move from a sketch pad to a full production car.

8. Citroën BX
The Citroën BX proved that Marcello Gandini’s bold, angular design vocabulary could be successfully translated into a mass-production vehicle. Designed as a family car rather than a dream supercar, the BX was nevertheless a futuristic and out-of-the-ordinary design that helped make the future more familiar.
Key Design Features of the BX:
- Angular, geometric body styling
- Clean and minimal surface design
- Practical hatchback layout
- Distinctive futuristic proportions
- Balance of function and style
The BX’s design also differentiated itself in the compact family car segment with a clean-cut design and disciplined form. Geometric form gave the BX a techy look that differentiated it from more traditionally designed cars that year. The BX also served as the family hauler with a big dose of character.
That this groundbreaking and futuristic design could be seen even on a relatively common family car demonstrated to manufacturers around the globe that bold and futuristic styling was not merely the province of expensive performance or luxury marques and would still maintain viability for practical application. The success of the design and its eventual production, although under another name, demonstrates Gandini’s talent for shaping the course of the conventional.

9. Renault Supercinq
The Renault Supercinq (also called Super 5) was considered to be a clever evolution of the original Renault 5, which had already made a successful career as small and compact vehicle on the European market. The primary difficulty in developing this car was to make it more modern, whilst maintaining all those characteristics and practical aspects that were so appreciated in the previous model. Marcello Gandini concentrated on a process of optimization rather than revolutionary redesigning.
Key Design Updates in the Supercinq:
- Sharper and cleaner exterior surfaces
- More refined and structured proportions
- Improved aerodynamic efficiency
- Modernized compact hatchback styling
- Retained original Renault 5 identity
This was achieved not by fundamentally re-designing the vehicle, but by applying a series of subtle, yet highly effective tweaks. The body panels of the Supercinq, for example, were much more seamlessly integrated and the detail styling was altogether much more incisive and modern looking. It gave the compact machine an up-to-date profile.
The Renault Supercinq can actually be interpreted as a much stronger case study in evolution of design, rather than replacement. It showcased how Gandini could embrace a brand identity whilst bringing it into the 20th century and further with minimal interference and continued success in a competitive market.

10. BMW 5 Series (E12)
The BMW 5 Series E12 marked an important step in defining BMW’s modern executive sedan identity. Its design focused on clean proportions, balanced structure, and understated elegance, creating a professional and timeless appearance. It helped establish the visual foundation that later generations of the 5 Series would continue to refine.
Key Design Features of the E12:
- Clean and balanced sedan proportions
- Understated, executive styling approach
- Functional and aerodynamic body shape
- Clear focus on driver-oriented design
- Strong foundation for BMW design language
The E12 reflected Marcello Gandini’s influence through its refined simplicity and structured form. Rather than relying on decorative elements, the design emphasized clarity and purpose. This aligned well with BMW’s engineering philosophy, where performance and functionality were considered more important than excessive styling details.
The BMW 5 Series E12 ultimately helped establish long-lasting design principles for the brand. Its combination of precision, restraint, and elegance influenced future BMW models and played a key role in shaping the company’s identity in the executive sedan segment for decades to come.

11. Maserati Quattroporte IV
The Maserati Quattroporte IV represented a more mature and restrained phase of Marcello Gandini’s design approach. It brought together luxury and performance in a compact executive sedan format, emphasizing controlled proportions and a clean, muscular presence rather than dramatic styling excess.
Key Design Features of the Quattroporte IV:
- Compact executive sedan proportions
- Muscular yet refined body design
- Balanced and restrained styling language
- Strong road presence without exaggeration
- Focus on elegance and performance harmony
The design of the Quattroporte IV focused heavily on balance rather than visual aggression. Its tight proportions and structured surfaces created a sense of strength without relying on overly sharp or radical elements. This approach gave the car a disciplined appearance suited to its luxury performance identity.
The Quattroporte IV demonstrated Gandini’s ability to refine expressive design into something more elegant and mature. It successfully blended Maserati’s sporting character with executive sophistication, resulting in a sedan that felt both powerful and composed, while maintaining a strong sense of Italian design identity.

12. Cizeta V16T
The Cizeta V16T represents one of Marcello Gandini’s most extreme and unconstrained design statements. Created outside the influence of major corporate design restrictions, it gave him rare creative freedom to explore a highly dramatic and technically ambitious supercar concept. The result was a vehicle that pushed visual intensity and mechanical presence to an entirely new level.
Key Design Features of the V16T:
- Extreme wedge-shaped supercar proportions
- Highly aggressive and experimental styling
- Complex multi-element design language
- Strong emphasis on mechanical presence
- Pure performance-focused visual identity
The V16T’s design is defined by its bold proportions and striking geometric form. Every surface and angle contributes to a sense of power and mechanical complexity, making the car feel almost like a moving concept vehicle brought into reality. Its dual-engine layout and unusual engineering approach were reflected visually through its dramatic and unconventional bodywork.
The Cizeta V16T ultimately stands as a powerful expression of Gandini’s fearless design philosophy. It demonstrates what is possible when creativity is given minimal constraints, resulting in one of the most visually intense supercars ever created. As a final chapter in his radical design journey, it embodies innovation, experimentation, and uncompromising artistic vision.